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Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

What Project Hail Mary Says About Courage, Life, and the Small Things That Matter

Note: This image is created with the help of ChatGPT; please excuse how Rocky looks.

Project Hail Mary Is Not the Sci-Fi Movie You'd Expect


I watched Project Hail Mary expecting a sci-fi story about saving Earth from an extinction-level crisis. But what stayed with me was not the science or the mission. It was how the movie explored resilience and the kind of courage that was obviously absent at the beginning of the protagonist's story.


Dr Ryland Grace, the protagonist, is not introduced as a typical hero. Well, this is not a superhero movie. Yes, he is an intelligent and knowledgeable scientist, but he is also reluctant and clearly does not want to sacrifice himself for the greater good. He does not want to volunteer for a one-way ticket mission. He does not initially believe that being qualified means he must be willing to die.


That is why his eventual transformation towards the end of the movie is really meaningful. Initially you could call him a messed-up coward. But his bravery develops gradually, through circumstances that force him to decide what matters most when there are no easy options left.


Courage Does Not Always Begin With Willingness


One of the strongest parts of Grace's character arc is that he does not begin as a hero. He does not give a grand speech about saving humanity (ref: 1996 Independence Day movie), nor does he willingly step forward when asked to risk his life. In fact, he resists the idea because he understands exactly what the mission may cost him.



Image Credit: Cinemablend


His reluctance could easily have made him unlikeable, but instead it makes him more human. Most people would probably hesitate if they were told that their knowledge made them useful, but that using it could also mean never seeing Earth again.


Grace's fear is reasonable, and the movie does not treat self-preservation as a moral failure. As the movie progresses, what changes him is not a sudden personality shift. It is a series of decisions made under pressure, where he repeatedly chooses to continue solving the next problem even when he is afraid, uncertain, or physically exhausted.


By the time he has the opportunity to return to Earth, he is no longer the same person who initially refused to sacrifice himself. He has already endured isolation, memory loss, failure, danger, and the responsibility of knowing that billions of lives depend on what he does next. More importantly, he has formed a friendship with Rocky that becomes as real and important to him as his responsibility to Earth.


When Grace realises that Rocky may not survive the journey home, he is faced with a final decision. He can continue towards Earth and preserve his own chance of returning, or he can turn back and save his friend. This time, nobody forces him, nor is there an authority figure making the decision for him, and there is no guarantee that his sacrifice will be recognised.


He turns back because it is the right thing to do. That moment is powerful because Grace's courage is no longer theoretical. He makes the critical decision when it matters, even though it costs him his potential future back on Earth.


Fragile Yet Brave


Ryan Gosling's performance makes this transformation believable because he does not play Grace as someone who suddenly becomes fearless. Grace remains emotionally vulnerable, physically limited and sometimes overwhelmed by the situation he is in.


He panics, doubts himself, gets frustrated, and grieves. And yet, he continues. This combination of fragility and bravery is what gives the character emotional weight. Grace's courage exists alongside fear. He does not stop being afraid; he simply becomes capable of acting despite it.


There is something empowering about watching a character who does not fit the conventional image of a heroic saviour. Grace is not a soldier, an astronaut or an action hero. He is a scientist and a teacher who must use observation, logic, improvisation and persistence to survive.


His strength lies in his ability to keep thinking when circumstances become impossible. When he makes mistakes, he adapts. When his plans fail, he tries a different approach. His resilience is not dramatic in the usual cinematic sense but in the repeated act of trying again.


Rocky Is Not the Alien We Usually See


I also loved the way Rocky was designed and written. Sci-fi movies often rely on generally recognisable visuals when portraying alien life, such as grey or green skin, oversized eyes, humanoid bodies or insect-like features. They are also frequently presented as threats, invaders or predators whose existence immediately places humanity in danger.


Rocky is none of these things. He is not humanoid (well, in all fairness, he does look like an arachnid); his body, environment, language, and biology are genuinely alien. Yet despite those differences, his personality is immediately captivating.



He is intelligent, curious, loyal, practical and capable of forming a deep emotional connection with Grace. Their friendship develops through shared work, mutual dependence, and the gradual construction of trust. They begin as two beings who cannot even communicate, yet they eventually become partners who understand one another beyond language.


The movie makes Rocky lovable by showcasing that friendship can form even when two lives are radically different. This is one of the most hopeful ideas in the story.


Life Is Not Always a Monster


Another aspect of Project Hail Mary that I found fascinating was the way the movie portrayed life itself.


The central threat is not an army of violent aliens. There is no hostile civilisation planning to invade Earth, and there are no giant creatures attacking cities. The crisis is caused by a microscopic life form known as the 'Astrophage' that feeds on stellar energy and gradually reduces the output of stars.


The solution is also microscopic. 'Taumoeba' is another single-celled organism, small enough to be overlooked yet powerful enough to change the fate of entire solar systems because it feeds on 'Astrophage'.


Image Credit: Geek Tyrant


This creates an interesting contrast with the way life is often portrayed in science fiction. Alien life is usually imagined as something large, visible and threatening. In Project Hail Mary, life exists at the smallest possible scale, but its consequences are enormous.


Astrophage is not evil. Taumoeba is not heroic. They are simply organisms behaving according to their biology. One consumes energy. The other consumes the first organism. Neither understands that planets, civilisations and billions of lives depend on their existence.


That simplicity makes the story more interesting because the survival of two intelligent species ultimately depends on understanding the behaviour of single cells.


Small Things Can Change Everything


Rocky says that "life is reason", and that idea runs through the entire movie. Life does not need to be physically large, technologically advanced or emotionally complex to have significance. Astrophage and Taumoeba are tiny organisms, but each one has the ability to change the future of entire worlds.


The same can be said of many of Grace's decisions. His story is shaped by a series of smaller choices, not in a dramatic, heroic way. He investigates, communicates, and trusts Rocky. At the very climax of the movie, he chooses to turn his ship around to save his best friend.


Each decision appears limited to the immediate problem in front of him, but together they determine the survival of Earth, Erid and Rocky.


This is perhaps the part of the movie that resonated with me the most. We often associate meaningful change with large gestures, major achievements or highly visible acts of courage. Yet many important outcomes begin with something smaller, such as one decision, or one piece of information, or one person refusing to give up.


Small does not mean insignificant. Sometimes the smallest element in a system becomes the one thing capable of changing everything.


Doing What Matters When It Becomes Necessary


By the end of the film, Grace has become the kind of person he initially did not believe himself capable of becoming.


He does not save two worlds because he always knows what to do. He saves them because he remains willing to learn what must be done next. He does not return to Earth as a celebrated hero. He chooses to remain on Erid, where he continues teaching and begins a life completely different from the one he left behind.


There is something fitting about that ending. Grace does not need public recognition to validate what he has done. His growth is already visible in the fact that he willingly chose responsibility, friendship and sacrifice when those choices became necessary.

That is what makes Project Hail Mary such a beautiful and powerful story.


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Maybe I Was Never Watching Crime Dramas


Note: This post started with me realising that almost all my favourite shows involve traumatised people investigating murders under permanently grey skies. My AI assistant later helped me unpack the psychological patterns behind that oddly specific preference. It's slightly alarming but deeply accurate, though.


Recently, I looked at my Netflix streaming history and realised something mildly concerning about myself. Haha.


Apparently, my idea of "relaxing entertainment" involves emotionally damaged people investigating murders in foggy forests while carrying unresolved childhood trauma. Lol.


As I browsed through the list of TV series genres I enjoy, I realised that I tend to gravitate towards storylines that include some combination of the following:


- psychologically exhausted detectives

- emotionally restrained women

- brilliant but difficult personalities

- haunted families

- isolated towns

- grief disguised as supernatural horror

- intellectually sharp people quietly falling apart


The Shows That Made Me Realise This


The pattern became obvious when I looked at the titles I genuinely loved and remembered amongst the numerous series that I have watched for the past years:


Bones (currently watching)

The Mire (currently watching)

The Graveyard (waiting for Season 3)

The Chestnut Man

The Haunting of Bly Manor

The Haunting of Hill House

The Invisible Guardian

The Legacy of the Bones

Offering to the Storm

Cracow Monsters

House


Well, these titles seem unrelated because some are supernatural horror; some are crime thrillers; some are medical dramas; and some are dark folklore stories. However, emotionally speaking, they all belong to the same universe.


I Realised I'm Drawn to "Wounded Competence"


Almost every protagonist in these stories shares the same emotional structure.


They are usually intelligent, functional, and capable, but they are also deeply unhealed. Many of them appear highly composed, but underneath that competence is grief, loneliness, guilt, emotional isolation, trauma, or some form of unresolved pain that quietly shapes how they move through the world.


I think that is what keeps me watching. Not the murder mystery itself or the plot twists. It is the emotional tension of watching people continue functioning while carrying invisible weight.


The memorable series are those that refuse to simplify human pain. There are no neat emotional resolutions in these series. Trauma is rarely "fixed". Grief does not disappear after one breakthrough conversation. Relationships remain complicated. People make contradictory decisions. Healing is uneven and incomplete.


That feels more emotionally honest to me now than stories where everything becomes meaningful and resolved by the finale.



The Atmosphere Matters More Than the Plot


Another thing I noticed is that I care deeply about emotional atmosphere. The setting itself often feels like a character: cold forests, rainy towns, dim apartments, decaying family homes, muted lighting, and silence that feels emotionally loaded.


A lot of European storytelling especially seems willing to sit in discomfort without rushing to explain everything. There is less emotional spoon-feeding and less urgency to make viewers feel reassured.


And oddly enough, I find that comforting.


Even the Horror Series Are Really About Grief


This became especially obvious with The Haunting of Hill House and The Haunting of Bly Manor. Technically, these two are horror series. But the real horror is never the ghosts.


It is grief, memory, guilt, love, loss, emotional inheritance, and family wounds that follow people into adulthood. The supernatural simply gives emotional pain a physical form.


That is probably why these stories stay with me longer than conventional horror.


Even My K-Drama Choices Are Emotionally About Grief Too


The pattern became even clearer when I looked at the K-dramas I tend to gravitate towards. Yeah, you guessed it right; I don't watch rom-coms. I really don't like 'lovey-dovey-happily-ever-after' stories.


Even when the stories involve monsters, spirits, the afterlife, or supernatural worlds, the emotional core is rarely horror itself.


Instead, many of these series revolve around unresolved pain, regret, memory, emotional liminality, people unable to move on, and grief that quietly follows people through life.


Tomorrow explores despair, emotional rescue, and the invisible struggles people carry before reaching breaking point.


Missing: The Other Side centres around forgotten dead people whose stories remain unfinished, turning grief into something almost physical.


Even Gyeongseong Creature uses monsters and horror to explore survival, fear, cruelty, and what happens to humanity under extreme suffering.


At this point, I had to admit something to myself: apparently even my supernatural dramas are still emotionally about grief.


Apparently I Also Like Emotionally Difficult Geniuses


This explains my attachment to House and Bones. Both series revolve around brilliant people trying to intellectualise emotions they cannot fully process.


One hides behind logic, the other behind cynicism. Both are emotionally awkward in completely different ways. And somehow, that feels more believable than perfectly adjusted television characters with healthy communication skills and excellent emotional regulation.


Maybe I Was Never Watching Crime Dramas


Maybe I was watching stories about emotional survival. Stories about people trying to continue functioning despite grief, trauma, loneliness, obsession, guilt, or emotional exhaustion.


Not because they are heroes. But because life keeps moving whether people are emotionally ready or not.


And perhaps that is why these stories resonate more deeply with me now than simpler narratives ever could.


Not because they are dark. But because they acknowledge something quietly true:


Human beings are complicated, healing is uneven, and some people carry enormous emotional weight without ever making a spectacle of it.


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Latest Family Favourite: Netflix's KPop Demon Hunters (Soundtrack)

Photo source: Kpop Wiki

Thank you Netflix for this beautiful movie, "KPop Demon Hunters," with all its head-banging, jaw-dropping songs! My favourite song is the very inspirational "What It Sounds Like."


You need to watch the whole movie to understand the significance of "What It Sounds Like."


We broke into a million pieces, and we can't go back
But now we're seeing all the beauty in the broken glass
The scars are part of me, darkness and harmony
My voice without the lies, this is what it sounds like

Why did we cover up the colours stuck inside our head?
Get up and let the jagged edges meet the light instead
Show me what's underneath, I'll find your harmony
Fearless and undefined, this is what it sounds like

KPop Demon Hunters' full soundtrack album on Spotify


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Have You Heard Netflix's Squid Game Season 2 Song, 'Dunggulgae Dunggulgae'?

Photo source: YouTube
 

Squid Game Season 2: Mingle Song

 
In Squid Game Season 2, the "Mingle" game features a hauntingly cheerful tune titled "Round and Round" (둥글게 둥글게), a traditional Korean children's song. This melody plays during the intense "Mingle" game rounds, where contestants must quickly form groups matching a randomly announced number, with those failing to do so facing immediate elimination.

The juxtaposition of this innocent nursery rhyme with the game's deadly stakes amplifies the psychological tension, a hallmark of the series' use of music to contrast innocence with brutality. The lyrics of "Round and Round" are lighthearted, encouraging children to dance and play together, which starkly contrasts the perilous situation of the players.

This strategic use of "Round and Round" in the "Mingle" game exemplifies the show's ability to intertwine elements of innocence with high-stakes drama, enhancing the overall viewing experience.
 

"Round and Round Sing-Along"

 

 
 
Dunggulgae dunggulgae
(Round and round we go)

Jjak!
 
Dunggulgae dunggulgae
(Round and round we go)
 
Jjak!

Binggeulbinggeul dolagamyeo chumeul chupsida
(Turning, turning in a circle as we dance along)

Sonppyeogeul chimyeonseo
(Clapping our hands together)

Jjak!

Norareul bureumyeo
(Singing along as well)

Jjak!

La la la la, jeulgeoupge chumchuja
(Let's dance happily together)


Ring-a Ring-a Riiiiing-a Ring-a Ring-a Ring
Ring-a Ring-a Riiiiing-a Ring-a Ring-a Ring



Sone soneul japgo modu da hamkke
(Hold your hands together, and all together)

Jeulgeoupge ttwieo bopsida
(Let's run happily)
 

Dunggulgae dunggulgae
(Round and round we go)

Jjak!
 
Dunggulgae dunggulgae
(Round and round we go)
 
Jjak!

Binggeulbinggeul dolagamyeo chumeul chupsida
(Turning, turning in a circle as we dance along)

Sonppyeogeul chimyeonseo
(Clapping our hands together)

Jjak!

Norareul bureumyeo
(Singing along as well)

Jjak!

La la la la, jeulgeoupge chumchuja
(Let's dance happily together)



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TGV Cinemas Family Friendly Special Sessions for Minions (20-21 June 2015)


Attention to all parents! TGV Cinemas is conducting Family Friendly Special Sessions for the movie Minions during the weekend of Father's Day! It's this weekend!

When & Where

20 June 2015 (Saturday)
21 June 2015 (Sunday)

There are two sessions each day:

Session #1
11am: Pre-Show activities
12pm: Movie screening

Session #2
4pm: Pre-Show activities
5pm: Movie screening

ONLY AT TGV CINEMAS @ 1 UTAMA



Package Price

RM20 per ticket (applicable to adults and kids)
E.g. Total amount for two adults plus one kid = RM20 x 3 = RM60

Update (18 June 2015):
Quoting TGV Cinemas from their Facebook page: No need to buy a ticket for kids below 3 years old.

This package also includes 1x Minions Goodie Pack and the chance to participate in pre-show activities. On the screening day (either 20 or 21 June), you just need to present proof of purchase, i.e. TGV Cinemas Ticket Stub, Email or Mobile App confirmation at collection counter to receive your goodie bag(s).

 Buy your tickets online on tgv.com.my now!

 
What are Family Friendly Sessions?

TGV Cinemas Family Friendly sessions are designed exclusively for parents with babies and kids. The sessions aim to enhance the cinema going experience among young families and it’s an opportunity for parents and their children to engage with one another and be themselves throughout the entire movie.

To ensure families have a more comfortable and relaxing time, our cinema volume will be lowered and the lights are dimmed. In addition, we have also set-up a diaper changing table and dustbin inside the cinema hall for parents' convenience.

However, parents are advised to strictly follow our "House Rules" throughout the session.

 
What are the "House Rules"?

  • Kids are allowed to ask "Why?"
  • Kids can scream and shout, and let it all out
  • Kids can make new friends
  • Kids are allowed to move around
  • Parents, please proceed to the toilet for anything wetter than tears
    
Terms & Conditions

  • Available at TGV Cinemas 1 Utama only.
  • Valid only for selected titles.
  • Tickets can be purchased online or walk-in to TGV Cinemas 1 Utama.
  • A valid TGV Cinemas ([Family Friendly Special] Minions) ticket stub, email or app confirmation for the particular session on the event day must be presented to redeem the Minions goodie pack and to enter pre-show activities area.
  • RM20 per ticket is applicable for any seat type within the specific hall.
  • TGV Cinemas is not responsible for any accident or injury to the patrons and damage or loss of their belongings.
  • All ticket discounts, advertiser or complimentary passes and movie access vouchers are not applicable for the Family Friendly session.
  • TGV Cinemas reserves the right to change the terms and conditions for the Family Friendly sessions without prior notice.


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Bring your little ones to "TGV Cinemas Family Friendly" sessions!


Guess what? I'm so happy to find that TGV Cinemas is organizing family-centric activities recently. Before I gave birth to my son, I was an avid cinema-goer. I was a movie addict. I went to the cinema on a weekly basis, that was averagely 4-5 movies per month. I never missed any blockbuster movie.

Then, the baby came and my days of going to the cinema ended. THE END.

Yeah, it has been "The End" for the past 20.5 months.

I missed so many movies. Sobs.

End of last year (December 2014), TGV Cinemas organized Disney's FROZEN Sing-A-Long. I brought my little tot along. It was his first big screen experience. He loved it.

But I haven't brought him to another cinema session since then.....

.....until I heard that TGV Cinemas is launching "Family Friendly" sessions exclusively for parents who wish to introduce the cinema world to their kids starting end of this month!

The cinema hall lights will be dimmed and volume will be lowered just to ensure that our little ones are comfortable during the movie. For parents with babies, fret not! There will be a diaper changing table set up inside the hall.

This is indeed a golden opportunity for parents to sit back, relax and enjoy the movie with the kiddos!

For more info about upcoming family-friendly sessions, please check out TGV Cinemas.

To be honest, I can't wait! :D


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Disney's FROZEN Sing-A-Long at TGV Cinemas (4-28 December 2014)


This is an important public service announcement! :)

Do you remember Elsa, Anna, Kristoff, Olaf the Snowman, and Sven the Reindeer? Do you sing "Let It Go" all the time when you're in the shower? Yes, you do! At least, I do! Well, not the singing part. :P

Anyway, here's the important bit!

Disney's FROZEN Sing-A-Long will be screened in selected TGV Cinemas* from 4 till 28 December 2014!

What's a Sing-A-Long? It means you get to watch the movie and during the singing scenes, you get to sing out loud like how you do it in a karaoke room. Now, you get to sing with so many people in a huge cinema hall. You get to sing as loud as you want! The lyrics are shown on-screen and you don't need to memorize a single word! Don't be shy!

Now you tell me, don't you want to grab a ticket or two or more now?

* To watch Disney's FROZEN Sing-A-Long (only within the two weeks of 4-28 December 2014), buy your tickets at these TGV Cinemas - 1Utama, Sunway Pyramid, Wangsa Walk, Encorp Strand, Cheras Sentral, Bukit Indah, and Gurney Paragon.


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I attended the Sing-A-Long's premiere session by TGV Cinemas yesterday. Guess what? It was AH-MA-ZING! More than 200 adults and their children (most little girls are dressed up as Elsa) were present! The pre-screening activities included photography sessions with the character Elsa, make-up demo, art & craft, etc.

Photography session with Elsa and young Elsa fans.
Photography session with Elsa and young Elsa fans.
The choir team sang "Let It Go" before premiere started.
Snowflakes!!!

We were "snowed" with snowflakes at one point of the sing-a-long. Oh my! The kids were squealing in delight!

Disclaimer: The photo above was taken with approval. Please DO NOT take photos in the cinema hall during movie time. :)

My toddler watched intently, humming and swaying along.

See the lyrics? A bouncing snowflake will be guiding you over the on-screen lyrics when it comes to the songs scenes. My favorite song? Definitely, "Let It Go"

Let it go.... let it go...

Disclaimer: The photo above was taken with approval. Please DO NOT take photos in the cinema hall during movie time. :)


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Moms, dads, and fans! You can buy the tickets for RM12 from tgv.com.my or at TGV Cinemas located at 1Utama, Sunway Pyramid, Wangsa Walk, Encorp Strand, Cheras Sentral, Bukit Indah, and Gurney Paragon. 


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For more information, please visit:

TGV Cinemas website: www.tgv.com.my
Facebook: facebook.com/tgvcinemas
Twitter: twitter.com/tgvcinemas



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Movie: Pacific Rim (2013) in 3D

To fight monsters we created monsters

Pacific Rim (2013) is AWESOME!

No worries, no spoilers at all.

You just need to remember two things: massive robots called Jaeger (German for "Hunter") and giant monsters called Kaiju from a portal between dimensions opened at the bottom of the Pacific Ocean. Kaiju (Japanese for "strange beast") means giant monsters from Japanese sci-fi movies, such as Godzilla.

Then, just lean back and enjoy multiple impressive and intense digital fight sequences between Jaegers and Kaijus.

The movie's soundtrack composed by Ramin Djawadi adds necessary gravity and grandeur. The cast, especially Idris Elba as Stacker Pentecost, commanding officer of the Jaeger project gives a very convincing performance. He exudes a lot of authority effortlessly and you could feel the weight of the world on his shoulders when he shouts, "Today, we cancel the apocalypse!" 

Most importantly, the Jaegers are too darn handsome!



Gipsy Danger


Striker Eureka


Cherno Alpha
 

Coyote Tango


 Crimson Typhoon

You must watch this movie!


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Movie: The Pact (2012)

Are you alone in your house?

The Pact (2012) is a horror movie feature debut by Nicholas McCarthy.

Synopsis: When her mother dies, Annie (Caity Lotz) comes back to her childhood house to meet her sister Nicole (Agnes Bruckner) for the funeral, only to find Nicole missing. Soon after, strange disturbances start to happen in the house. With the help of Officer Bill Creek (Casper Van Dien), Annie begins to unravel the mystery about her mother's dark past that might cost her life.

This movie is not your standard ghost story because it has a surprising twist! In fact, it's a hybrid of both the supernatural and psychological thriller.

There are quite a number of scary bits, most of them dwelling on Annie's slow, unguessable movements in the house, eerie phone messages that show up on their own, passing shadows, and especially the tense buildup of putting pieces of information together towards the big reveal aka the final twist.

This is a pretty good indie horror movie; it's made with a small budget and not marred by your usual dosage of Hollywood horror thingamajig.

If you are looking for a different genre of lightweight horror movie, you would like this one.


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Movie: The Tall Man (2012)

Fear Takes A New Shape

The Tall Man (2012) is a mystery-thriller movie written and directed by Pascal Laugier.

Synopsis: Julia Denning (Jessica Biel) is a widow living in rural town Cold Rock in Washington. She stays and works as the town's local nurse after the doctor - her husband - passed away. Rumor has it that the town's children are kidnapped by "The Tall Man". When Julia's son is kidnapped, she tries to find him and the kidnapper. Who is 'The Tall Man'? What is the truth behind the kidnappings?

I like this verdict: The Tall Man is a spooky and atmospheric little thriller that contains some actual and unexpected surprises, which is rare for a thriller. It also manages to take its spooky ghost story premise, and turn it into something else entirely, ultimately turning the film into a social comment on wealth.

The twist-ending is not something you would expect. In the end, the movie leaves you with questions about the society. Are we aware of how messed up our current society is? Are we doing anything about it? Even if we do take actions, are our actions justifiable?

I don't know.

If you're the kind who enjoy no-nonsense, thought-provoking mini thrillers, you should watch this movie.

2

Movie: Wreck-It Ralph (2012)

Wreck-It Ralph (2012) is an animated family comedy movie.

Synopsis from IMDb: Wreck-It Ralph longs to be as beloved as his game's perfect Good Guy, Fix-It Felix. Problem is, nobody loves a Bad Guy. But they do love heroes... so when a modern, first-person shooter game arrives featuring tough-as-nails Sergeant Calhoun, Ralph sees it as his ticket to heroism and happiness. He sneaks into the game with a simple plan - win a medal - but soon wrecks everything, and accidentally unleashes a deadly enemy that threatens every game in the arcade. Ralph's only hope? Vanellope von Schweetz, a young trouble-making "glitch" from a candy-coated cart racing game who might just be the one to teach Ralph what it means to be a Good Guy. But will he realize he is good enough to become a hero before it's "Game Over" for the entire arcade?

Quoting this review, "Wreck-It Ralph, the latest Disney animation, isn't a movie of a video game. The movie is a video game, with video game jokes, video game noises, video game cameos and a blocky, 8-bit video game villain." True indeed!

If you're a gamer (sadly I'm not), you will recognize many games characters (of which I don't. :P)

The thing I like the most about Wreck-It Ralph is the brilliant world it's built in, especially the littlest details of various video games. They let you take a peek into what could be happening in each video game station when they cease action at the end of business day. Brilliant! 

Oh, and the captivating colors of the set pieces! Amazing! The array of colors in Sugar Rush reminds me of Candy Crush. LOL!

Anyway, I'm so glad I manage to catch this awesome movie on DVD. Watching it in cinema would be much better but too bad I missed the showtimes earlier this year.

If you haven't watched this movie yet, do get yourself a DVD! :D

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Movie: A Good Day to Die Hard (2013)

Like father. Like son. Like hell!

A Good Day to Die Hard (2013) is the fifth movie in the Die Hard movie series.

Synopsis: John McClane (Bruce Willis) flies to Moscow to help his seemingly wayward son Jack (Jai Courtney) in a Russian prison, but discovers that Jack is a CIA operative out to stop a nuclear weapons heist. Now father and son are forced to put aside their differences and battle the Russian underground forces to stop a war.

I couldn't recall how Bruce Willis was like in his previous Die Hard movies as John McClane. I guess he must be quite a memorable character. However, in this fifth movie, I don't really see an impressive McClane in terms of character development.

But, if you're looking for really bad-ass action sequences and stunts, you'll get what you're looking for. In fact, the factors that save this movie from getting too monotonous are the super high-octane actions after actions, be it high-speed car chases, gun fights, and bombings; and a lot of double-crossings and unexpected triple-crossings. 

Then, get ready to listen to cheesy lines between father and son and lots of asinine family bits as they struggle to work together as a team. I guess in the next Die Hard (if there is), we'll see junior McClane replacing senior McClane? I don't know. 

In the end, A Good Day to Die Hard is just another adrenaline-pumping action flick with two heroes who could survive all sorts of accidents, [minor spoiler] including one that involves a burning helicopter.

Having said that, if you're a Bruce Willis fan, you won't want to miss seeing him in action at this age. :)

3

Movie: Hansel & Gretel: Witch Hunters (2013)

Classic Tale New Twist

Hansel & Gretel: Witch Hunters (2013) is an action-horror-fantasy movie with a twist from the original folk fairy tale "Hansel and Gretel".

Synopsis: Witch hunters Hansel (Jeremy Renner) and Gretel (Gemma Arterton) are in the village of Augsburg where children are abducted by wicked witches. Grand witch Muriel (Famke Janssen) needs the children during the Blood Moon to carry our her evil plan. Hansel and Gretel have to stop her before it's too late.

Let's hear what director Tommy Wirkola has to say: [via] 

"Blood and gore and action, all the stuff that I love... It's definitely an R-rated movie, the first draft has a lot of blood and guts. First and foremost, it's an action movie, I think, with horror elements. And of course some dark humor as well. But the action and horror are the most important feelings I want."

"I loved fairy tales growing up. I used to listen to them on tapes and 'Hansel & Gretel' scared the hell out of me and it always stayed in the back of my head. I always wondered what happened to those characters."

"I have a strong memory from my childhood of just how dark and gruesome their tale was and I wondered what would have happened to the two of them when they grew up? They had this dark past and this intense hatred of witches. So as I thought about it, it made sense to me that of course they would be fated to become great witch hunters. We wanted it to feel like this could be happening 300 years ago but at the same time, there is a modern spin on all the action, characters and weaponry. It was a fun way to make a classical world feel fresh."

Well, in my opinion, there's not much of a storyline to talk about. Almost every scene is about intense action, swearing, hunting down and killing those bloody witches in one way or another. But the visual effects are really fantastic though.

At the end of the movie, my deepest impression is how Jeremy Renner and Gemma Arterton run everywhere in some steam-punk-ish clothes while toting sinister-looking weapons. 

Not too bad if you enjoy every bit of the action parts. Apart from that, sad to say, there's nothing much to shout about.

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Movie: The Apparition (2012)

Once you believe, you die

The Apparition (2012) is a supernatural horror movie.

Synopsis: When frightening events start to occur in their home, young couple Kelly (Ashley Greene) and Ben (Sebastian Stan) discover they are being haunted by a presence that was accidentally conjured during a university parapsychology experiment. The horrifying apparition feeds on their fear and torments them no matter where they try to run. Their last hope is an expert in the supernatural, Patrick (Tom Felton), but even with his help they may already be too late to save themselves from this terrifying force.

You know what? There are so-called horror movies that are hilariously not scary at all. This is one of them. But there are big names - Ashley Greene (Alice Cullen from the Twilight Saga series) and Tom Felton (Draco Malfoy from the Harry Potter series). It's kinda like a "playground" for young rising stars or something. 

The movie starts off with a grayish 1970s seance experiment scene about conjuring a spirit back into this world. The shooting style reminds me of Paranormal Activity or any of those found-footage horror movies. Nothing revolutionary here. Then, it continues to the plot where three parapsychology students - Patrick, Ben, and Lydia - are trying to replicate the same experiment before whatever written in the synopsis above transpires.

There's not much scare factor but a whole chunk of scientific explanations about spirits, purgatory, supernatural world, so on and so forth. I think director Todd Lincoln wants this to be an intelligent horror movie with scientific twist to differentiate itself from mainstream scary horror movie.

To be honest, if you're not a fan of horror movies but you want to give the horror genre a try, you might be able to stomach this one. Compared to Mama (2013) and Sinister (2012), this movie is nowhere near those two super horror movies. Good luck!

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